I dream of you, to wake: would that I might
Dream of you and not wake but slumber on;
Nor find with dreams the dear companion gone,
As, Summer ended, Summer birds take flight.
In happy dreams I hold you full in night.
–from a poem by Christina Rossetti
This fall and winter we are in a for a long run of midsummer–or at least the dream of it.
He whose prose was always rightly seasoned, wrote in one of his sunnier sonnets that summer’s lease was all too short. Maybe in merry old England, but not here in Memphis. Like the object of his sonnet, Memphis will have an almost endless run of midsummer, somehow, somewhere, and some way–almost until the March winds blow.
The first breath of midsummer was voiced by the Tennessee Shakespeare Company. Dan MeCleary dreamed up a unique presentation that put the REM into the words of MSND.
That was back in 2009, and now in 2010, we wake to dream again, this time with a production by Ballet Memphis that embodies the dream with a vivacious joy.
Ever had a dream that was so good that you wanted to go back to sleep just so you could dream it all over again? This is how their production made me feel. I am kicking myself up and down Poplar for not having worked this into my schedule sooner. With any luck I will get to see it again on Sunday. Stunning. Magical. I don’t think I will ever ever forget it. If you read this before it ends, go go go see this production.
Of course, dreams rarely recur or unfold the same way, and 2011 will give Memphis yet another chance to experience midsummer–this time with Michael Ching’s own version of the play, supported by the combined production efforts and considerable talents of Opera Memphis, Playhouse on the Square, and DeltaCappella and RIVA, the two powerhouse contemporary vocal bands who will make this dream a dream never dreamed before.
Ching’s operapella performed at POTS will be the world’s first opera performed with vocal bands in the orchestra pit instead of instruments. If you think this will be music as usual, check out the sound of DeltaCappella on i-tunes or on their website.An opera with beat boxing and vocal percussion! In a way the operapella is Ching’s own love letter to an art form that he discovered by hanging out with the twelve guys in DeltaCappella, who have been happy participants in the genesis of Ching’s project.
From January 21 until February 13, Ching will be dishing up a midsummer that is a heady blend of beauty, humor, and confusion that all ends well; which pretty much sums up any real love story.
Our final chance to dream will come when we settle into the comfy seats of GPAC with conductor Michael Stern and IRIS. In addition to themes based on MSND composed by Gandolfi, the goodly actors of the Tennessee Shakespeare Company will kiss the dream goodbye on February 26.
It bears examination, this city’s preoccupation with a Shakespearean dream had in midsummer, in which so much confusion ensues, and in which love is, seems, is not, and is. It makes me believe that there is a lot of love in Memphis. And a lot of beautiful dreamers.